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Fricatives 2016

Fricatives 2016

 

Focuses on the transformation of recorded consonants into vowel sounds; it explores how speech technologies can be used to go beyond the constraints of the human body by processing recorded performance within a computer model of the vocal tract. The composition employs a creative approach to sound design and transformations of recorded speech to develop a collection of sound synthesis and music production techniques.
Fricatives was composed and recorded at the University of York (Department of Music) as part of my PhD thesis.

 

 

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