Michele Pizzi develops immersive audio DSP solutions that explore how spatial algorithms, multi-channel reverb design, and de-correlation techniques shape listener perception in modern 3D audio environments. His work spans algorithm development, perceptual testing, and spatial processing workflows for formats including 5.1, 7.1.4 Dolby Atmos–style systems, Eclipsa, MPEG-H and Ambisonics, forming the foundation for the publications and presentations featured below. His research interests also include music production and sound design workflows that integrate custom-built audio effects tailored for these immersive formats

Publications:

Pizzi, M., & Mróz, B. (2026). Using Vowel Characteristics for Multi-channel Signal Decorrelation and Reverberation. International Journal of Electronics and Telecommunication, 72(1), 1-9.

Full text: https://ijet.ise.pw.edu.pl/index.php/ijet/article/view/10.24425-ijet.2026.157864

Pizzi, M. (2018). New speech-inspired tools for exploring timbre in computer-based composition and music production (Doctoral dissertation, University of York).

Full text: https://etheses.whiterose.ac.uk/id/eprint/29104/

Conferences & Presentations:

Conservatorio di Musica G. Puccini di La Spezia. (2025, November 7). Giornata internazionale della ricerca artistica: New technologies applied to music teaching and performance [Conference]. Auditorium Fiorentini, La Spezia, Italy.

Polish Section of the Audio Engineering Society. (2025). 20th International Symposium on Sound Engineering and Tonmeistering 2025 [Conference website].
 ISSET 2025. https://isset2025.syskonf.pl/